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Mitrović Katarina, Queen Helen and Mount Sinai
In one of his lectures given at the University of Belgrade in February 1925, Tihomir R. Đorđević pointed out that the Serbian Queen Helen, with her sons, kings Dragutin and Milutin, had richly
Πέμπτη 7 Ιουλίου 2022
Јечменица Дејан, Срби и Богородица Синајска у XIII и XIV веку / Ječmenica Dejan, Serbs and the Mount Sinai Monastery in the XIII and XIV centuries
Ječmenica Dejan,
Serbs and the Mount Sinai Monastery in the XIII and XIV centuries
The Mount Sinai Monastery has been built at the place where, according to the Bible, God appeared before Moses. It is considered one of the Christian's most sacred places. Since the age of Serbian Archbishop Sava I, we can trace relations between
Турилов Анатолий, Сербские тексты XIII – XIV вв. в синайских рукописях несербского происхождения / Turilov Anatoly, Serbian texts of the XIII – XIV centuries in the Sinai Manuscripts of non-Serbian origin
Turilov Anatoly,
Serbian texts of the XIII – XIV centuries in the Sinai Manuscripts of non-Serbian origin
The article is devoted to a little-studied issue – Serbian texs of the 13th and 14th centuries in non-Serbian (Russian and Bulgarian) manuscripts kept in the library of the Sinai Monastery, and in the 19th century found themselves in the Imperial Public Library in St. Petersburg. The first of them (prayer of
Бојовић Драгиша, Савин силазак са Горе или: Доментијаново синајско огледало / Bojović Dragiša, Sava's descent from the Mount or: Domentian's Sinai mirror
Bojović Dragiša,
Sava's descent from the Mount or: Domentian's Sinai mirror
The paper discusses St. Sava's trip to Mount Sinai, which he visited during his second travel to the Holy Land. Particular attention is paid to the symbolism of Sava's descent from the Mount, and to the ideas pointed out in Domentian's Praise of St. Sava, which has a specific function in both "The Life of St. Sava" and the aforementioned work. The description and praise are also considered as part of the idea of "the new Israel", which was not new in Serbian medieval literature, but would be given the strongest emphasis precisely by Domentian. The final part of the paper stresses the importance of a Theotokological and Christological framework for the description of Sava's stay on Mount Sinai.
Марјоновић Драгољуб, Прилог проучавању структуре и значаја Доментијановог описа поклоништва Светог Саве на Синају 1234. године / Marjanović Dragoljub, A contribution to the study of the structure and significance of Domentijan's account of St. Sava's pilgrimage to mt. Sinai in the year 1234
Marjanović Dragoljub,
A contribution to the study of the structure and significance of Domentijan's account of St. Sava's pilgrimage to mt. Sinai in the year 1234
In this paper we aim to present that the narrative about St. Sava's pilgrimage to Mt. Sinai which the
Савић Виктор, Српски међу словенским рукописима у манастиру Свете Катарине на Синају (XI–XII век) / Savić Viktor, The Serbian Manuscripts in the Corpus of Slavic Manuscripts at Saint Catherine’s Monastery on Mount Sinai (11th–12th Centuries
Savić Viktor, The Serbian Manuscripts in the Corpus of Slavic Manuscripts at Saint Catherine’s Monastery on Mount Sinai (11th–12th Centuries
Saint Catherine’s monastery on Mount Sinai holds a collection of about 4,500 ancient manuscripts in various languages, including more than 80 Slavic manuscripts. Half of the Slavic manuscripts were
Τετάρτη 29 Ιουνίου 2022
Lidova Maria, The Artist’s Signature in Byzantium. Six Icons by Ioannes Tohabi in Sinai Monastery (11th-12th century)
Summary
This article examines a set of six icons preserved at the monastery of Saint Catherine on Mount Sinai, Egypt. Four of the panels are calendar icons. The fifth depicts the
Lidova Maria, Martyrs, Prophets, Monks. Calendar Icons in the Collection of St Catherine’s Monastery at Sinai (11th-12th centuries)
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Summary
The author discusses four groups of Byzantine calendar icons kept in the collection of St Catherine’s monastery at Mt Sinai, each differing from the others according to format, number of panels, and in its
Chichinadze Nina, Representing Identities. The Icon of Ioane Tokhabi from Sinai
Summary
The article focuses on identities represented on late 11th - early 12th century painted icon incorporating the image of donor and painter with representation of the Christological cycle and images of the Virgin. Iconographic program of the panel together with bilingual Greek-Georgian inscriptions constructs the self-identity of the Georgian priest-monk Ioane Tokhabi. Various visual and textual markers reveal the national, cultural, and religious identity of the donor. The icon demonstrates that the manifestation of the identities was one of the concerns for creators and/or commissioners of objects of devotional art.
Chichinadze Nina, The Artistic Systems of the Georgian Painted Icons of the Monastery of St. Catherine on Mount Sinai
Σάββατο 4 Ιουνίου 2022
Δευτέρα 30 Μαΐου 2022
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